Different heaven album
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And, you know, he felt he was almost in the corner of the room and sort of knowing each other so well for so long, we sort of thought he’d like that bit but he probably wouldn’t like that bit. He adds: “I think Brian and I certainly felt that we knew what Freddie would have been thinking. Because we knew that the situation was closing in on us and it was… so we sort of made the most of every moment and then really enjoyed it.” But again, it was a very interesting process. Roger Taylor: “It was very weird working with Freddie’s voice coming out of the speakers. You’ve got to do it like this’, you know? So my juices were working and I just dived in before I had time to think, and I took over some particular tracks. And of course, that’s the trigger I needed because I hear what he’s done, and I go ‘no, no, no, don’t do it like this. “Roger made the first inroads and he took some of the tapes down to his studio and started working on them.
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“So I had a bit of sort of denial stuff going on and I think I was reluctant to get back into opening those boxes and dealing with Freddie’s voice there”, he adds. I just said, ‘Look, let’s just talk about what’s happening now’.” I went out on my tour, solo tour, and of course, all that people wanted to talk about was Queen and Freddie’s death and stuff, and I couldn’t deal with it. They were made very much out of an awareness that Fred wasn’t going to be around very long.”īrian May: “I think I kind of dragged my heels, I think I went through a very extended grieving process really, because I kind of didn’t want to talk about Queen. Roger Taylor: “Things like “A Winter’s Tale” really came out of that, that sort of desperately ill stage.
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And it was tough to begin with”) and acknowledges it was Roger Taylor who provided the impetus for the process to begin and mentions the support they received from, among others, songwriter Carole King.īrian May: “Of course lurking in the wings was all the material we’d done with Freddie, which was unfinished, and what were we going to do with this? Would we manage to make an album with it?” In this latest episode of Queen’s ‘The Greatest’ video series, Brian May talks about the process of healing that delayed the band’s return to the studio (”I think I was reluctant to get back into opening those boxes and dealing with Freddie’s voice there. Another, “Heaven For Everyone”, started life as a song by Roger’s solo project The Cross, on which Freddie had sung a guest vocal – and Queen’s reworked version became the first single from the Made In Heaven project. Two tracks were revisited versions of songs Freddie originally recorded for his Mr. The resulting album, Made In Heaven, was the final chapter in the band’s legacy with Freddie, and featured polished versions of songs they had never managed to finish before as well as tracks for which Freddie had laid down vocals prior to his passing, such as “A Winter’s Tale”. In 1993, Brian May, Roger Taylor and John Deacon returned to Mountain Studios in Montreux, Switzerland, to work on finishing the tracks they had begun with Freddie Mercury during the early part of 1991.